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s of Diss. . . . 1951, pp. 73-77. Glanvill. Popkin, Richard H. “Joseph Glan vill: A Precursor of David Hume.” JHI, Xiv.292-303. [Compares G.’s analysis of causation with that of Hume.] Gofife. O’Donnell, Norbert F. “Shakespeare, Marston, and the University: The Sources of Thomas Goffe’s Orestes." SP, l.476-484. ----“The Tragedy of Orestes by Thomas Goffe: A Critical Edition.” Ohio State Univ. Abstracts of Doctoral Diss., No. 63 (1952), pp. 289-293. Herbert. Burke, Kenneth. “On Covery, Reand Dis-.” Accent, xm.218-226. [Based upon Rosemond Tuve’s A Reading of George Herbert.] Knieger, Bernard. “Herbert’s Redemption." Expl, xi, item 24. See Sect, ix, s.v. Wesley, Leach. Ingelo, Nathaniel. See above, s.v. Miscel laneous, Davies. Jonson. Barish, Jonas A. “The Double Plot in Volpone." MP, u.83-92. Chute, Marchette. Ben Jonson of West minster. New York. Enck, John J. “The Case Is Altered: Initial Comedy of Humours.” SP, l.195-214. Walker, R. S. (ed.). Ben Jonson’s Timber or Discoveries. Syracuse. [An edition with re arranged text.] Withington, Eleanor. “Nicholas Briot and Jonson’s Commendation of Joseph Rutter.” N&Q, cxcvm.152-153. [On the numismatic imagery.] Killigrew, Thomas. Reich, William T. "Claracilla, by Thomas Killigrew.” DA, xm. 910-911 (abstract of Univ. of Penn. diss.). Lacy. See Sect, vii, s.v. Shakespeare, Spring. Lee. McLeod, A. L. “Nathaniel Lee’s Por trait.” N&Q, cxcvm.103-105. Lust’s Dominion. See below, s.v. Mason, Wadsworth. Mackenzie, Sir George. See above, s.v. Miscellaneous, Davies. Marvell. Brooks, Cleanth. “A Note on the Limits of ‘History’ and the Limits of ‘Criti cism’.” SR, lxi.129-135. [Comments on Douglas Bush’s reading of the Horatian Ode.} Day, Robert A. “Marvell’s ‘Glew’.” PQ, xxxn.344-346. Gwynn, Frederick L. "Marvell’s To His Coy Mistress, 33-46.” Expl, xi, item 49. Summers, Joseph H. “Marvell’s ‘Nature’.” ELH, xx.121-135. [On M.’s “complex” use of nature.] Mason, John. Wadsworth, Frank W. "The Relationship of Lust’s Dominion and John Mason’s The Turke.’’ ELH, xx.194-199. [Concludes that The Turke “was written with the earlier tragedy as a model and as an at tempt to exploit its theatrical appeals.”] Massinger. See below, s.v. Middleton, Price; Sect, vii, s.v. Drama, Waith. Middleton. Bald, R. C. (ed.). Honourable Entertainments by Thomas Middleton. Oxford (Malone Soc. Reprints). Engelberg, Edward. “A Middleton-Rowley Dispute.” N&Q, cxcvm.331-332. Price, George R. “The Authorship and the Manuscript of The Old Law.’’ HLQ, xvi.117139. [Assigns individual scenes to Middleton and Rowley; indicates the extent of the re visions by Massinger; suggests 1614 or 1615 as the date of original composition and 1626 as the date of Massinger’s revision.] ----“The First Edition of Your Five Gal lants and of Michaelmas Term.’’ Library, 5th Ser., viii.23-29. ----“The Huntington MS of A Game at Chesse.” HLQ, xvn.83-88. [Describes the MS., 18 pages of which are in M.’s hand writing.] Milton. Adams, Robert M. “Reading Comus.’’ MP, li. 18-32. Allen, Don C. “Two Notes on Paradise Lost." MLN, lxviii.360-361. [On m.510-511 and x.327-329.] Allen, Ralph K. “Milton’s Creative Unitarianism.” DA, xm.791 (abstract of Univ. of Wash. diss.). Arnold, James A. “John Milton’s Masque: An Historical and Critical Study of Comus." DA, xiii.385-386 (abstract of Princeton Univ. diss.). Bell, Millicent. “The Fallacy of the Fall in Paradise Lost." PMLA, lxviii.863-883. Benham, Allen R. “ 'Things Unattempted Yet in Prose or Rime’.” MLQ, xi,v.341-347. [Interprets the line in terms of the structure of PL.} Boggs, Earl R. “Selected Precepts of Free dom to Choose in Paradise Lost." Peabody Jour, of Educ., xxx.276-284. < Bottkol, Joseph McG. “The Holograph of Milton’s Letter to Holstenius.” PMLA, lxviii.617-627. [Now in the Vatican Library.] Carpenter, Nan C. “The Place of Music in L’Allegro and II Penseroso." UTQ, xxn.354367. Chester, Allan G. “Milton, Latimer, and the Lord Admiral.” MLQ, xiv.15-20. [Con siders the validity of M.’s charge, in Of Reformation Touching Church-Discipline, that Latimer was the creature of the politicians.] Daniells, Roy. “Humour in Paradise Lost." Dalhousie Rev., xxxiii. 159-166. French, J. Milton. “The Digressions in Mil ton’s ‘Lycidas’.” SP, l.485-490. ----“Milton’s Two-Handed Engine.” MLN, lxviii.229-231. [Suggests that the keys to St. Peter are the engine in Lycidas, 11.130— 131. See also SP, xlix.548-550.] Giovannini, Margaret. “Milton’s Paradise Lost, iv, 131-193.” Expl, xii, item 1. [Takes exception to comments upon this passage by some of the new critics.] Hanford, James H. (ed.). The Poems of John Milton. Edited with Introd. and Notes.