Some articulatory correlates of perceptual isochrony

The results support an interpretation of the perceptual phenomenon reported by Morton et al. to the effect that listeners judge isochrony of the talker’s articulations as they are reflected in the acoustic signal.

Abstract

Given sequences of digits with temporally equidistant acoustic onsets, listeners do not perceive them as isochronous (Morton, Marcus, & Frankish, 1976). In order for the sequences to be perceptually isochronous, systematic departures from acoustic isochrony must be introduced. These acoustic departures are precisely those that talkers generate when asked to produce an isochronous sequence (Fowler, 1979), suggesting that listeners judge isochrony based on acoustic information about articulatory timing. The present experiment was an attempt to test directly whether perceptually isochronous sequences have isochronous articulatory correlates. Electromyographic potentials were recorded from the orbicularis oris muscle when speakers produced sequences of monosyllables "as if speaking in time to a metronome." Sequences were devised so that lip-muscle activity was related to the syllable-initial consonant, the stressed vowel, or the stressed vowel and final consonant. Results indicate that isochronous muscular activity accompanies both isochronous and anisochronous acoustic signals produced under instructions to generate isochronous sequences. These results support an interpretation of the perceptual phenomenon reported by Morton et al. to the effect that listeners judge isochrony of the talker's articulations as they are reflected in the acoustic signal.